The Prince and the Plunder

A book on how Britain took one boy and piles of treasures from Ethiopia

Category: Hangings

Cloth hanging from a church ‘obtained at Magdala’

Published / by Andrew Heavens / Leave a Comment

What: Cloth hanging from a church, taken by by Maj-Gen. Griffiths

Where: The British Museum, Great Russell St, Bloomsbury, London WC1B 3DG

The catalogue entry describes it as a “woven hanging cloth (from Christian church)” 

See correspondence with vendor and notes by John Picton, currently filed in office with Africa collections storage at Orsman Road. (AMD,5/1998).

Acquisition notes:
“Purchased from: Miss G F Martin in 1973
Obtained by Maj-Gen. Griffiths (grandfather of vendor) at Magdala, 1868. Said to have been previously acquired by King Theodore of Abyssinia from elsewhere.”

Exhibited:
1995-96, London, Museum of Mankind (Room 4), ‘Secular and Sacred’

Detail
Museum number: Af1973,38.1

Sacred church hanging, described as the largest tablet-woven textile in the world

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What: A woven silk hanging, described as the largest of its kind in the world, used to conceal the entrance to the Holy of Holies of an Ethiopian church, taken by the British Museum’s expert on the expedition, Richard Rivington Holmes

Where: The British Museum, Great Russell St, Bloomsbury, London WC1B 3DG

Provenance: Maqdala mentioned at length in acquisition notes

The hanging shows “woven depictions of Ethiopian crowned figures, religious attendants and armed guards on a carefully arranged background filled with geometric patterning,” according to Martha H. Henze’s 2007 paper “Studies of Imported Textiles in Ethiopia” in the Journal of Ethiopian Studies.

“This single panel measures 504 cm in length and varies in width between 54 and 62 cm,” she adds.

The British Museum catalogue entry reads: 

“This cloth was designed as the central section of a triptych which would have screened the inner sanctum, maqdas, from the main body of an Ethiopian Orthodox Christian church … This is the largest tablet-woven textile in the world …  It is woven entirely of imported Chinese silk, and the figures that appear on it are depicted in such detail that the soldiers can be seen to be carrying firearms of Indian manufacture. The event commemorated is probably the lying-in-state of King Bakaffa (reigned 1722-30). Bakaffa, Mentaub, his wife, and their young son Iyasu are all depicted wearing the plaited band of blue silk, matab, which was a symbol of their Christian faith.”

References:
C. Spring and J. Hudson, Silk in Africa (London, The British Museum Press, 2002)
C.J. Spring and J. Hudson, North African textiles (London, The British Museum Press, 1995) See file in Eth Doc 439 in AOA Archives on transfer of these objects from former Medieval & Later Dept.
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Bibliography: Spring & Hudson 2002 p.2 bibliographic details

Exhibited:
1995-96, London, Museum of Mankind (Room 4), ‘Secular and Sacred’
2008-2009 29 Sep-05 Apr, New York, Metropolitan Museum, The Essential Art of African Textiles: Design Without End
2012 April-July, Manarat Al Saadayat,Abu Dhabi, Treasures of the world’s cultures

Detail
Museum number: Af1868,1001.22
Field Collection by: Sir Richard Rivington Holmes
Acquisition date: 1868

Three-panel silk church hanging

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What: A huge three-panel silk church hanging,  used to cover the entrance to the Holy of Holies of an Ethiopian church

Where: The Royal Ontario Museum, 100 Queens Park, Toronto, ON M5S 2C6, Canada

A curtain made up of three panels of woven coloured silk was initially loaned to the museum before 1914 by Colonel George Augustus Sweny – an officer who had taken part in the Magdala campaign – according to Michael Gervers in his 1996 paper Four Eighteenth-Century Monumental Ethiopian Tabletwoven Silk Curtains.

It was then given to the museum in 1922 by his son, according to Martha H. Henze’s 2007 paper “Studies of Imported Textiles in Ethiopia” in the Journal of Ethiopian Studies.

It is made of the same coloured silk and with the same technique as a single-panel hanging in the British Museum, the paper added.

The curtain is made up of an essentially ‘royal’ central panel and ecclesiastical side panels, dated c.1730-38 and, in all, is 535 by 212 cm, according to Gervers’ article “The tablet-woven hangings of Tigre, Ethiopia: from history to symmetry” in The Burlington Magazine in September 2004.